CHLOÉ MALLOGGI

Solo exhibition, Heerz Tooya, Veliko Tarnovo (BG) 2024
Result of a one month residency at ARV.International, Vishovgrad (BG)
Installation made of paper sculptures and sentences painted around the gallery space
Material: paper, glue, acrylic paint
 

The title doubt is my support system embodies Chloé Malloggi’s collaboration process with the mediums paper, sculpture and words. As a site-specific artist she was inspired by the support system that is Vishovgrad — branches holding and supporting one another, she states “I hope my work can take care of someone else’s work”.

Leaning into the flexibility of paper and words, she gives her materials space to speak and is informed by her process of daily making, often made up of repetitive gestures as a mantra evocation of words.

Glueing together paper,
adding water to transform into another shape,

action of folding, and unfolding,

the sculptures doubt
the same question again and again

poetry,
as a concept of language.

Text: Java Bentley

https://heerztooya.com/exhibitions/doubt-is-my-support-system

 

Contribution to the group exhibition This is personal, Bergen Kunsthall (NO), 2024
Installation made of 9 books, paper shapes and sentences screen-printed around the gallery spaces

Material: paper, glue, tape, screen print.  

Installed with the help of Joakim, Magnus, Merete and Nete. 

Contribution to the group exhibition I can carry people around, Bergen Kjøtt (NO), 2023
Text work on self designed floor plan 
 
In may 2023, my classmates and I unfolded together under the title I can carry people around. Then we folded again, on paper, on the map I made for them.
My work was only present in the space of the map : ”walls have a meaning’’ she says – ‘’walls have a language’’ I say.

Solo exhibition, Galleri Taxi, Bergen (NO) 2023

Installation made of paper, words, glue, tape, paint, editions, variable dimmensions

To be continued starts with paper – a space to draw, paint, print. Molded or assembled it gets bigger and settles in space. Sculpture meets drawing and books pretend to be sculptures. From the same starting point, the white sheet can become almost anything, in a back and forth between gestures, symbols, landscapes… From a language to an other, from an idea to a colour: translation on A4 sheets. Shapes and words are light and modular – on the wall / the corner / the floor – they unfold, and then disappear in pockets

To be continued is a landscape in permanent deconstruction, a drawing in a notebook, a poem to unfold.

2022

Sculpture composed of paper, glue, laserprint on paper, 67 x 75 cm

ENSBA Lyon (FR), 2021
Installation, A4 sheets, glue, tape, fabric, oil chalk, soft pastel, paint, edition
 
2020
Photograph 
 
During the first lockdown, I found myself back at my parents place, in my teenager room. Three white walls, one pink, a window, a desk, a bed, a night table, a frame and a few objects, became my landscape for almost two months. The room became drawing, with the help of a stack of A4 sheets covered with yellow powder.

ELLE TEND LE BRAS EN L’AIR POUR TENTER D’EN ATTRAPER UNE LES BOUTONS D’OR JAUNES DANS L’HERBE VERTE DANS MA CHAMBRE IL Y A DES ROSES, DES ORANGES, DES JAUNES ELLE ARRIVE, ELLE SAUTE SUR LE BUREAU ELLE POSE UN PIED DANS LA POUDRE JAUNE LA POUDRE S’ENVOLE ELLES S’INSTALLENT DANS MA CHAMBRE TOUT DOUCEMENT LE VENT LES FAIT FRISSONNER L’ESPACE DE SEPT SECONDES JE CROIS QU’ELLES VONT S’ENVOLER MAIS TAPIES DANS L’HERBE COMME DES PRÉDATRICES ELLES RAMPENT DEMAIN LE BRUIT DE LA TONDEUSE VA ME RÉVEILLER LE CIEL EST ROSE ELLES ALLAIENT BIEN ROSE ORANGE JAUNE OU N’A PAS DE COULEUR PARFOIS, ELLES LAISSENT DES ZONES BLANCHES FAUTE DE POUVOIR LES REMPLIR LE MUR N’EST PLUS LÀ